Press

Essays

Reviews & Other Press

Feral Flora Exhibition, 2009
  • Wesley Pulkka, ”Paintings take a ride back in time” Albuquerque Journal, March 31, 2013, p.F5 (Art Review/Reproduction).
  • Ray Mark Rinaldi, “Habitats, Jane Abrams (and two others), At Denver’s Havu Gallery, a serious yet lovely look at Flowers”, Denver Post, October 17, 2013 (Feature Article/Color Reproduction).
  • Feral Flora, Recent Paintings by Jane Abrams, Exhibition Catalogue accompanying the exhibition by the same name at the Albuquerque Museum, 2009
  • Wesley Pulkka, “Abrams’ Flora Yields Secrets” Albuquerque Journal, January 25, 2009, p.F3 (Art Review).
  • Holly Roberts, "Artists at Mid-Career," The Magazine, December 1998, p.20 (Feature Article/Reproduction).
  • Wesley Pulkka, "Exhibition Scratches Rich Surface of Duke City Printmaking," Albuquerque Journal, September 28, l997, p.D5 (Review).
  • Wesley Pulkka, "Artists Have Fascinating Perspectives on Landsacpe," Albuquerque Journal, December l996, p.F2 (Review).
  • Kathleen Sandrin, "Jane Abrams Mixes Worlds of Art and Herbology," Santa Fe New Mexican, 1995, Pasa Tiempo, p.9 (Review/Reproduction).
  • Christine Hemp, "Jane Abrams, Vedic Journeys," The Magazine, 1995, p.45 (Review/Reproduction).
  • John Cacciatore, Objective, Non Objective, DSG Press, 1995 (Exhibition Catalogue).
  • Glen R. Brown, "Jane Abrams at the Amarillo Art Center," New Art Examiner Chicago, April 1994, p.50 (Review/Reproduction).
  • Marilyn S. Mason, "Not Quite on the Map: Magic and Art - Wes Hempel, Jane Abrams, Bethany Kriegsman, Tamara Lichtenstein and Jack Balas," Colorado Expressions, Winter 1993, Vol. III, No. 1 (Review/Color Reproduction).
  • Joseph Traugott, Curator, 21 Steps Group Exhibition Catalogue, University of New Mexico Publications, Albuquerque NM, 1992 (Catalogue/Reproduction).
  • Wesley Pulkka, "Jane Abrams/Alajuela: Teeming with Life—Begetting Life," The Magazine, November 1993, p.43 (Review/Reproduction).
  • Diane Armitage, "Beautiful Camouflage," Santa Fe Reporter, October 26, 1993, p.23 (Review).
  • Ellen Berkovitch, "Abrams Blends Primitive's Idyllic and Eerie Danger," Albuquerque Journal North, October 21, 1993, p.6 (Review/Reproduction).
  • Marilyn S. Mason, "A Painter's Vision: Jane Abrams," Christian Science Monitor, February 25, 1993 (Review/Color Reproduction).
  • Lis Bensley, "Jane Abrams Art World is Rich with Whisperings of Mystery," Santa Fe New Mexican, October 8, 1993, p.23 (Review/Reproduction).
  • Marilyn S. Mason, "Jane Abrams' Color Captures the Richness of Central America," Rocky Mountain News, February 4, 1993 (Review/Reproduction).
  • Hart Hill, "Hang the Expanse: Jane Abrams, Spirit of Place," Westword, Denver CO, February 24, 1993, p.51 (Review/Reproduction).
  • Lydia B. Finkelstein, "Expressionist Abrams' Works: 'A Soul on Fire,'" Indiana Sunday Herald-Times, Indianapolis IN, February 24, 1991, p.D4 (Review/Reproduction).
  • Janet Kennedy, Two Decades of Change: 1969–1991, Indiana University, 1992, p.5, 10 (Exhibition Catalogue).
  • Clinton Adams, Printmaking in New Mexico: 1880–1990, University of New Mexico Press, Albuquerque NM, 1992, p.91, 104–-6, 111.
  • Kathleen Shields, Jane Abrams, Indiana University, 1991 (Exhibition Catalogue).
  • Kenneth J. Hale, Guest Artists in Printmaking, University of Texas at Austin, 1989, p.36–37 (Catalogue/Color Reproduction).
  • Rebecca Levy, R.S. Levy, Austin TX, 1988 (Catalogue/Reproduction).
  • Lee Krantz, New York Art Review, illustrated survey of the City's museums, galleries and leading artists, Foreword by Mary Boone. Chicago: American References Publishing Corporation, 1989, p.173, 175, 202, (Review/BW, Color Reproduction).
  • Nancy Clegg, "Colorado Letter," Artspace, Winter 1987-88, p.65 (Art Review).
  • Rick Homans, "Bosque Off Corrales Road," Albuquerque Living, January 1988, p.36 (Reproduction).
  • Peter Briggs, 4x4, sixteen printmakers from the four corner states, 1987, p.4 (Catalogue/Reproduction).
  • Irene M.K. Rawlings, "Start with Ramses II When it comes to the Art Events of 1987," Denver Post, December 27, 1987, p.10 (Art Review/Reproduction).
  • Jennifer Heath, "Very Different Works Share Nautical Theme," Rocky Mountain News, October 9, 1987, p.7 (Art Review/Reproduction).
  • Nancy Clegg, "Art as the Spirit Moves You," Westword, October 1987, p.28 (Art Review).
  • Irene M.K. Rawlings, "Paintings Carry a Punch in Robischon Gallery Show," Denver Post, September 25, 1987 (Art Review/Reproduction).
  • Kathleen Shields, "Albuquerque Letter," Artspace, Summer 1987, p.73–74.
  • Suzanne Deats, "Jane Abrams," Artlines, July/August 1987, p.15 (Feature Article/ Reproduction).
  • David Bell, "Empowered Painting at the Santa Fe Museum of Art," Art in America, January 1987, p.143 (Art Review).
  • Susan Zwinger, Empowered Painting, Santa Fe Museum of Art, Santa Fe NM, 1986 (Catalogue/Reproduction).
  • Charles Moone, "Reminded of Morality," Artlines—Art of the State, Winter 1986–87, p.6–9 (Review/Reproduction).
  • Jane Abrams: Recent Paintings, Roswell Museum and Art Center Catalogue (Forward by Elmer Schooley), 1986 (Catalogue).
  • David Bell, "Exhibition is Paean To Power of Artists," Albuquerque Journal North, August 21, 1986 (Art Review).
  • Keith Raether, "Powerful Pain," Albuquerque Tribune, August 16, 1986, Arts Section (Art Review).
  • John Richardson, "Jane Abrams," Albuquerque Tribune, September 27, 1986 (Feature Article/Reproduction).
  • William Peterson, "Albuquerque Letters," Artspace, Fall 1986, p.54–55 (Art Review).
  • Kathleen Shields, "Empowered Painting," Artspace, Fall 1986, p.45 (Art Review).
  • Vivian Milford, "Albuquerque Letter," Artspace, Fall 1984, p.65 (Art Review).
  • The Alternative Image, John M. Kohler Art Center, Sheboygan WI, 1983, colorplate XV, catalogue number 119.
  • The American Works on Paper Exhibition 1983, Zaner Gallery, New York, p.5 (Catalogue).
  • Carol Mazur, "Artist's Relationship Enhances Success," Albuquerque Journal, April 10, 1983, p.D1–2 (Feature Article).
  • Joseph Traugott, "UNM Breaks Mold...," Albuquerque Journal, August 28, 1983, p.D2 (Art Review).
  • LAPS 20 Years, Los Angeles Printmaking Society 20th Year Exhibition, Brand Library Galleries, Glendale CA, 1982, plate 15, (Catalogue).
  • International Exchange Exhibition of Prints Seoul 1983, Korean Culture & Art Foundation, Seoul, Korea, (Catalogue).
  • Dana Asbury, "Jane Abrams," Artspace, 1982, p.50–51.
  • "The Altered Print," Quiver #2, 1982, Temple University, Philadelphia PA, p.8 (Catalogue).
  • Printed by Women, A National Exhibition of Photography and Prints, The Port of History Museum, Philadelphia PA, 1982, p.12 (Catalogue).
  • "Artists...at River Room Exhibit," Sunday Look, Evansville IN, August 1, 1982 (Art Review).
  • ARC Humor in Art, ARC Gallery, Chicago IL, 1981, p.11–12 (Catalogue).
  • Joseph Traugott, "Majestic New Mexico Icon Focus...," Albuquerque Journal, December 26, 1982, p.E2 (Art Review).
  • David Elliot, "Laughing with Art...Serious Business," Sun Times Chicago: Show Magazine, 1982, section 5, vol. 35, number 16c, p.10–12 (Art Review).
  • 57th Annual International, Philadelphia Print Club, 1981, p.13 (Catalogue).
  • Harmony Harmmond, "Horse Blinders," Heresies, #9, Vol. 3, 1980, p.45–47 (Feature Article).